In the first half of the thirteenth chapter of Wintersmith, Tiffany faces the Wintersmith; Roland faces the Underworld. Intrigued? Then itâ€™s time for Mark to read Discworld.Â
Oh god, it took me like a whole page to realize what Pratchett had done here. Despite that the first chapter end with some toying on his part, this chapter opens after the events of the first chapter. You could honestly plug the first chapter after the twelfth, and it would still flow, wouldnâ€™t it??? THIS IS EVIL, WHY WAS HE LIKE THIS. But the first line is basically telling me this is the case, right?
That was then. This is now.
And the now involves no summary of what the Wintersmith did. We know. Snow dumped down on the Chalk; many lamb die; Wentworth nearly died himself. Tiffany found her strength and her power, too, melting the snow beneath her, though now I understand that to be part of her being the â€œLady.â€ And this picks up after that, and IT IS STILL NOT WHAT I EXPECTED. Letâ€™s talk.
Iâ€™m so happy Roland is a part of this, and Iâ€™m glad that this is not just a good story. Itâ€™s funny. Because here, Pratchett has a lot of fun taking certain fantasy tropes to task when it comes to the concept of an underworld and the archetypes of a hero. In spirit, Roland does fit this! I really donâ€™t doubt that. But in every other way? Well, he has very little training, and what little he got wasnâ€™t enough to make him a threatening fighter. Which is hilarious to me because how often have all of us either seen training montages that speed up learning these skills? Pratchett does no such thing, and so Roland marches into the Underworld with a sword thatâ€™s too heavy, a shield thatâ€™s too heavy, and chainmail that is loose and ill-fitting. And what does he find?
THE FUCKING WORST THING EVER. So, little bit of my thought process as I was reading this. We find out the Underworld is just kinda gloomy, a place in-between for those who are lost, and everyone that Roland sees is just… a lost person. Thatâ€™s it. No monsters! I was expecting things to be faced! Monsters to be slain! Traps to avoid! Instead, Pratchett gives me bogles.Â
At first he thought: Itâ€™s a skeleton. When it flashed again, it looked like a bird, a tall bird like a heron. Then it was a stick figure, like a kid would draw. Over and over again it scribbled itself against the darkness in thin, burning lines.Â
It scribbled itself a mouth and leaned forward for a moment, showing hundreds of needle teeth. Then it vanished.
Hi, I donâ€™t have the receipt anymore, but can I get my money back for this? CAN I RETURN THIS BECAUSE I DONâ€™T WANT THIS. This is so much worse! A creature that eats memories? That sees memories, hopes, and dreams as real, edible things, and doesnâ€™t know that itâ€™s chipping away at your identity, but consumes nonetheless? HI WHAT THE FUCK!!! Yet Iâ€™m equally as fascinated (but not nearly as horrified) by what Rolandâ€™s reaction is to this. He immediately wants to know how to kill them, and heâ€™s told not to bother. But after crossing the river and paying the Ferryman, the topic comes up again. (I should note that itâ€™s also cool that Roland is so straightforward about this. Thereâ€™s no deceit here; he just pays what he owes.) And Roland relates the bogles to the pets that the Queen had that â€œfed you dreams until you died of hunger.â€ Whew, this bit is SO POWERFUL:
â€œI hate things that try to take away what you are. I want to kill those things, Mr. Anybody. I want to kill all of them. When you take away memories, you take away the person. Everything they are.â€
Yâ€™all, there is our hero. Because he sees other people suffering in the Underworld, and his response isnâ€™t, â€œWell, I have a job to do.â€ No, he wants to LIBERATE THE ENTIRE UNDERWORLD FROM THE BOGLES. I just… love him a lot?
Thereâ€™s still a job to do, but yâ€™all: I donâ€™t get it. WHY DOES THE SUMMER LADY LOOK LIKE TIFFANY?
I love the dual struggle here, as both Tiffany and Roland are on journeys that challenge their beliefs and their identities. Is Roland the Hero? Is Tiffany the Goddess? Who are these characters outside of this conflict? Within it? Tiffany finally enters the Wintersmithâ€™s terrible world, to face him down and bring this to an end, but Pratchett hid some HORRIBLE surprises in this plot, too.
Anyway, lemme begin with how visceral Tiffanyâ€™s discovery of her self is early in this chapter. In the Wintersmithâ€™s world of white and snow, she has to find her color, and she does so by remembering that she is the Land Under Wave, that she is a whole person, and that the Chalk is just as white as the snow. And so her color returns, and she uses her anger to move her through a palace. Yâ€™all, there are so many details here that reveal exactly what this place is before Pratchett spells it out. Heâ€™s playing with the notion of a place or a person being â€œcoldâ€ or feeling detached from humanity. Because this palace was built for a human by someone WHO DOES NOT KNOW WHAT HUMANS ACTUALLY WANT. Theyâ€™re all approximations. Large, splendid rooms, but without furniture. The furniture that is there is most likely uncomfortable. Lots of urns. Lots of statues. A fire that runs COLD.Â
And an ice crown.Â
But even then, I figured that this gift to Tiffany, this grand but horribly misguided gesture, was all so that sheâ€™d be impressed. He wanted to Dance with her, sheâ€™d reject it, theyâ€™d fight… or something? Because there was no way sheâ€™d do this. I just hadnâ€™t considered the lengths the Wintersmith would go to get what he wanted:Â
â€œYou are safe here.â€
â€œWhat from?â€ said Tiffany, and then, because too much time around Miss Tick does something to your conversation, even in times of stress, she changed this to: â€œFrom what?â€
â€œDeath,â€ said the Wintersmith. â€œHere you will never die.â€Â
As if that wasnâ€™t enough, Tiffany tries to clarify that if winter continues on the Disc, itâ€™ll swallow everyone it touches, killing them:
â€œMillions of people will die!â€
â€œBut only once, you see. That is what makes it wonderful. And after that, no more death!â€Â
I hate how much I understand this logic? But itâ€™s right in line with what I said: the Wintersmith doesnâ€™t get it. He canâ€™t. He think heâ€™s doing something wonderful, he thinks heâ€™s done all the work needed, and heâ€™s going to kill millions of people because heâ€™s â€œbecomeâ€ a human.
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